By Michelangelo Antonioni
Through autobiographical sketches, theoretical essays, interviews, and conversations with such luminaries as Jean-Luc Godard and Alberto Moravia, this compelling quantity explores the director’s particular model of narrative-defying cinema in addition to the motivations and anxieties of the fellow in the back of the camera.
“The structure of Vision presents a filmmaker’s soaking up reflections and insights on his occupation. . . . Antonioni’s reviews . . . deepen and humanize a occasionally cerebral book.”—Publishers Weekly
“[Antonioni’s] erudition is mind-blowing . . . few of his friends can fit his verbal articulateness.”—Film Quarterly
“This beneficial source deals entrée to fabric tough to achieve entry to below different circumstances.”—Library Journal